Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Serenity: The 'gobsmackingly awful' twist, explained

The gimmicky plot turn has been branded 'seismically stupid'

Jacob Stolworthy
Friday 01 March 2019 13:13 GMT
Comments
Serenity - Trailer

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

New film Serenity has one of the most ludicrous twists in film history.

The film, which stars Mathew McConaughey and Anne Hathaway, tells the story of a fisherman named Baker Dill who’s on a quest to catch a tuna he’s named Justice. He lives on an island named Plymouth and, every day, he hits the ocean in his boat, the titular Serenity.

:: Read a compilation of the film’s most unintentionally hilarious quotes here

For the most part, it plays like a Body Heat-style noir that sees Hathaway’s character, Dill’s ex-wife Karen, offer him $10m to kill her abusive new husband, Frank (Jason Clarke).

While this is all happening, the script – written by Peaky Blinders‘s Steven Knight, who also directs – sporadically refers to Dill’s son Patrick who we only glimpse in what appear to be flashbacks: he’s locked in his bedroom, tapping away at his computer with his violent step-father trying to get in. Then there’s Jeremy Strong’s suited character who sticks out like a sore thumb as he runs around the island trying – and failing – to communicate a message to Dill.

It’s when Strong’s character finally tracks Dill down that things get truly weird. The twist is Dill is in the middle of... a video game – and not just any game, but one created by his son who plays it to escape from his abusive step-father. It’s a left-field revelation that will go down in the history books as one of the milennium’s most gimmicky plot turns. The final half of the film sees Dill comng to terms with the fact he’s trapped in a video game.

You can read our one-star review of the film here.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in