SIR PETER Hall's desire to stage Waiting for Godot at the Arts Theatre in London this autumn is understandable. He wants to mark the 50th anniversary of his staging the premiere of Samuel Beckett's masterpiece. But his wish has been ruined by the Barbican Theatre and the Beckett estate which have jointly forbidden it, as the Barbican is mounting its own version next year.
Does the Barbican think London theatregoers can't cope with two productions of a classic several months apart? Sir Peter says he is "amazed and disappointed" at the Barbican's action. I'd add that the Barbican should perhaps remember that it has a theatre only because of the determination nearly 30 years ago of one man, the then head of the RSC, Sir Peter Hall.
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