Letter: Michelangelo or not?

Mr Neil Macgregor
Thursday 22 September 1994 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Sir: Your article on the attribution of The Entombment of Christ (19 September) briefly aired the different views for and against Michelangelo's authorship, and went on to suggest that the National Gallery has been grudging in giving information and eager to frustrate wider public discussion. May I assure your readers that is not the case.

The National Gallery is probably the most accessible in the world, open free of charge, with every picture in the collection usually on show. It also offers a range of information on the pictures in its care - scholarly catalogues, general books, CD-ROM - which few other galleries can match. In recent years it has mounted a series of exhibitions aimed precisely at encouraging public debate of questions of attribution, technique, etc.

In the specific case of the Entombment, your readers will be able to form their own view at the exhibition which opens next month. In the book accompanying the exhibition Michael Hirst, a leading Michelangelo scholar, sets out the arguments that incline him, and the National Gallery, to believe that the painting is indeed by Michelangelo.

Yours faithfully,

NEIL MacGREGOR

Director, The National Gallery

London, WC2

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in