Letter: Body of work
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.I HOPE I can comment on a couple of points in Judith Palmer's supportive piece on The South Bank Show's forthcoming programme on "Body Art".
There is no "unscreened documentary" on the miners' strike made by Ken Loach. The programme I commissioned and edited was put out on Channel 4.
"Body Art" did not cause LWT executives "a headless panic", it raised valid complex issues which needed time to address.
I cannot imagine that Judith Palmer has been watching The South Bank Show if she thinks it is characterised by Elaine Page, The Bee Gees and Michael Flatley. Some of our recent programmes have featured the artists Gillian Wearing and Gary Hume, John Adams, Saul Zaentz, Beryl Bainbridge and Nigel Kennedy - this since Christmas.
I think that Dan Wiles' use of the word "obscure" for the excellent programme on Seamus Heaney may have been a touch ironic.
MELVYN BRAGG
The South Bank Show
London Weekend Television
London SE1
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments