Why Les Misérables and Victor Hugo still matter

 

Tuesday 08 January 2013 10:11 GMT
Comments
Russell Crowe in 'Les Miserables'. Running time: 160 minutes
Russell Crowe in 'Les Miserables'. Running time: 160 minutes

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Many of you guys will have read Andy West on "Les Misery of Les Misérables", in which he candidly confessed he was unable to review 40 per cent of the film because during that time he was asleep. If for some bonkers reason you haven't read it, you really should. In the Washington Post today, the marvellous Michael Gerson has a rather different take on the film, which he saw on Christmas Day, and which made him cry.

For Gerson, Les Misérables resonates because Hugo's "great book is a vivid description of the workings of grace". Hugo may not have been a conventional Christian, or indeed a conventional thinker of any kind, but his deep concern was to give meaning to our current lives through a notion of transcendence. That is generally what religion tries to do, and in grappling with many of the chief concerns of religion - our obligations to the poor; the meaning of death; the nature of love - Hugo has produced a treatise that is religious without being explicitly so.

For those of you who haven't yet seen the film, it might be an idea to read both West and Gerson and work out who you think the more persuasive?

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in