German painter Georg Baselitz is bogged down by macho notions of art as destruction

His claim that women are always bad painters is pure nonsense

Zoe Pilger
Wednesday 06 February 2013 21:28 GMT
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We should sympathise with Baselitz – his Oedipal complex is burdensome.

The German painter’s comment that female artists are not recognised because they simply “don’t paint very well” is dependent on old-fashioned macho notions of creativity as a kind of war.

He told Der Spiegel that painting demands “brutality against the thing itself, against what already exists”.

This is art as destruction – anathema to the “natural” feminine tendency to nurture, love, and care for both children and husband, who will presumably be too busy making a masterpiece to help out with the housework.

Baselitz patronisingly remarks of fellow artist Rosemarie Trockel: “There is a lot of love in her art, a lot of sympathy.” But for Baselitz, it would seem Trockel’s art doesn’t contain sufficient brutality. The violent paint-brush thrusting necessary to metaphorically kill one’s artistic forebears is simply lacking in a woman’s nature.

If a woman does feel the need to violently thrust, she is clearly not a natural woman.

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