Travel: Literally Lost 52

Saturday 10 October 1998 23:02 BST
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This excerpt has been taken from a work of travel literature. Readers are invited to tell us:

a) where is the action taking place?

b) who is the author?

Blackwell's Bookshops will award pounds 30-worth of book tokens to the first correct answer out of the hat. Answers on a postcard to: Literally Lost, Independent on Sunday, 1 Canada Square, London E14 5DL. Usual competition rules apply. Entries to arrive by this Thursday.

THE POOR words with which natural human speech is provided cannot suffice to describe the Madonna Inn. To convey its external appearance, divided into a series of constructions, which you reach by way of a filling station carved from Dolomitic rock, or through the restaurant, the bar, and the cafeteria, we can only venture some analogies. Let's say that Albert Speer, while leafing through a book on Gaud, swallowed an overgenerous dose of LSD and began to build a nuptial catacomb for Liza Minnelli. But that doesn't give you an idea. Let's say Arcimboldi builds the Sagrada Familia for Dolly Parton. Or: Carmen Miranda designs a Tiffany locale for the Jolly Hotel chain. Or D'Annunzio's Vittoriale imagined by Bob Cratchit, Calvino's Invisible Cities described by Judith Krantz and executed by Leonor Fini for the plush-doll industry, Chopin's Sonata in B flat minor sung by Perry Como in an arrangement by Liberace and accompanied by the Marine Band. No, that still isn't right. Let's try telling about the rest rooms. They are an immense underground cavern, something like Altamira and Luray, with Byzantine columns supporting plaster baroque cherubs. The basins are big imitation-mother-of-pearl shells, the urinal is a fireplace carved from the rock, but when the jet of urine (sorry, but I have to explain) touches the bottom, water comes down from the wall of the hood, in a flushing cascade something like the Caves of the Planet Mongo. And on the ground floor, in keeping with the air of Tyrolean chalet and Renaissance castle, a cascade of chandeliers in the form of baskets of flowers, billows of mistletoe surmounted by opalescent bubbles, violet-suffused light among which Victorian dolls swing, while the walls are punctuated by art-nouveau windows with the colors of Chartres and hung with Regency tapestries whose pictures resemble the garish color supplements of the Twenties. The circular sofas are red and gold, the tables gold and glass, and all this amid inventions that turn the whole into a multicolor Jell-O, a box of candied fruit, a Sicilian ice, a land for Hansel and Gretel. Then there are the bedrooms, about two hundred of them, each with a different theme: for a reasonable price (which includes an enormous bed - King or Queen size - if you are on your honeymoon) you can have the Prehistoric Room, all cavern and stalactites, the Safari Room (zebra walls and bed shaped like a Bantu idol), the Kona Rock Room (Hawaiian), the California Poppy, the Old-Fashioned Honeymoon, the Irish Hills, the William Tell, the Tall and Short, for mates of different lengths, with the bed in an irregular polygon form, the Imperial Family, the Old Mill.

Literally Lost 51: The book was by Christopher Columbus. The action took place in the Caribbean. The winner is D Ryan, London N16.

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