Italy: In search of orange
The Rainbow Hunters: One mother, two boys, on a trip around the world, to seven countries, to find the origin of seven colours
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.As we walk down the windswept Via Francesco Robolotti, the sounds of sanding, sawing, and chipping waft through the doorways of the violin workshops that line the street.
Here in Cremona, northern Italy, countless instruments have been made over the centuries, but the most famous were made by the Stradivari family in the 17th and 18th centuries. No one knows what makes a Stradivarius violin sing the way it does; some believe it's the wood and the cut Antonio Stradivari developed. Others that it's the Cremona varnish, flame coloured, bright as a tiger's pelt. The locals believe that once they discover the secret of the instrument's colour, they can master any song.
So it is here that the boys and I find ourselves in search of a sunset orange, with only an age-old recipe for cremona, dating back to 1747. Already we have got lost and been turned away from three workshops, and now we are standing despondently outside the Stradivari Museum, which is closed for the holidays. The boys press their faces to the glass, leaving smudge marks.
"You look for the Stradivarius?" an old man asks us, his eyebrows arched.
"We're looking for cremona," I tell him.
"Go to the pharmacy on Via Ceresole," he advises.
A neon cross flashes above a doorway. A short, bald man stands behind the counter. Tentatively I tell him of our quest, and he waves us out across a small courtyard and into a dark, pokey outhouse. Shelves, crammed with jars of aged amber flakes, powders of burnt yellow and red, liquids of rusted brown. It's like walking into the past.
Dow, my eldest son, places our order: a cup-full of shellac flakes, half of sandarac and some wine spirit. "We have to crush it and melt it over a fire," Dow reads from our recipe.
"Try a little of this, and some of this," the pharmacist says, reaching for a jar of amber, a jar of myrrh and ash. "And lastly," he adds, "you must listen to this."
The recording he plays us is Vivaldi's Spring Allegro, full of hope and celebration. "Perhaps," he says, "you will be the ones to discover the soul of the Stradivarius."
The Rainbow Hunters are raising money for War Child (warchild.org.uk; justgiving.com/ Lindsay-Hawdon) . To read more about their journey, visit therainbowhunters.com
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments