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Postcard from... Ouarzazate

 

Paul Schemm
Thursday 16 April 2015 19:33 BST
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“QUIET!” The cry rings out in English, French and Arabic across the cobblestoned streets of Jerusalem, as filming begins for a scene in the series AD: The Bible Continues.

But while the arched doorways, balconies and furnishings all say Roman-era Israel, the real-life setting is southern Morocco.

Viewers in America and elsewhere in the world may not know it but they have seen a lot of Morocco in the past year. It has served as the Baghdad of American Sniper, the Tehran seen in the television series Homeland, the Mali of American Odyssey and the Egypt that will appear in the miniseries King Tut. Morocco will also be Saudi Arabia in this year’s A Hologram for the King, starring Tom Hanks.

All in all, it has been a banner year for Morocco’s status as a gigantic film set – with $120m (£80m) spent by foreign film productions in the country last year, more than in the previous five years put together.

The North African kingdom is riding high on its reputation for stability and exotic locales, but industry officials say that Morocco needs to do more – and offer more incentives – to realise its potential as a filming destination. It is contending with increasingly stiff competition from South Africa and other countries which offer deep tax rebates. AP

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