Germany gets a picture of the Nazi past
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Muscular idols of Stalin's Russia and Aryan heroes of the Third Reich met yesterday on the fault-line of European history, brought together on the Unter den Linden by a British exhibition dealing with art under tyranny.
"Art and Power", first shown 18 months ago at the Hayward Gallery, in London, offers Germans a rare view of the oeuvres that whipped them into a frenzy more than half a century ago. Much Nazi art is held in quarantine in the US and at a guarded warehouse in Munich, lest it should infect the nation again.
The show, imported almost unaltered from London, is presented as a British view. It is meant to be "thoughtful and reflective", said Henry Meyric Hughes, curator of the original exhibition and who is also involved with its Berlin revival. "It is an attempt to make people reconsider history in a less emotive way."
In London, learned brows were furrowed at suggestions that images projected by the creeds of the epoch - Francoism, Italian Fascism, Nazism and Soviet Communism - bore more than a passing resemblance. But Berliners, who have had a front-seat view of the cataclysmic events of this century, are unlikely to be troubled by such comparison.
From today, they will be able to judge for themselves. For instance, those blond athletes, clutching bouquets and saluting the man on a dais wearing military fatigues, are Ubermensch of a different kind: the banner of Lenin in the background gives away their land of origin.
The Nazis were as fond of using beefcake to glorify the working man as Stalin's war artists. Whatever their ideological differences, neither camp could find any room on its canvas for a less than outstanding human specimen, down to the size of the genitals.
In both Moscow and Berlin, the supreme leaders of the nation took a personal interest in the arts. Many of the German works were commissioned by the century's most infamous amateur painter, and early evidence of the Fuhrer's budding talent, a sketch of a building, is also on display. There is a lot of fine art, too. Works labelled "degenerate" by the Nazis are presented side-by-side with what Hitler preferred.
The poignant choice of Berlin as the show's venue was deliberate and its importance was underlined by the presence of Chancellor Helmut Kohl at the opening ceremony.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments