Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Greek and Roman statues in colour - as the ancients intended

Peter Popham
Friday 19 November 2004 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Modern science is bringing the statues of the ancient world back to life in colours no one ever imagined.

Modern science is bringing the statues of the ancient world back to life in colours no one ever imagined.

An exhibition that opened this week at the Vatican Museums shows the fruit of years of research by the Vatican and two other top European museums, proving that the ancient Greeks and Romans lived not in a world of cold white marble gods and goddesses but amid a blazing riot of colours.

The statues as they have been seen for centuries are displayed alongside their replicas painted as the scholars now believe they were originally presented. The famous statue of Emperor Augustus, for example, discovered in Rome's Villa di Livia, now wears a scarlet toga, a variegated red and blue tunic, and armour decorated with multi-coloured images of gods; eyes, hair and lips are also painted.

Paolo Liverani of the Vatican Museums told Il Messaggero newspaper, "Thanks to the most modern technologies, including ultraviolet photography, microscopic examination and clinical analysis, it has been possible to recover, in the originals of these sculptures, abundant traces of colour."

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in