Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Lost film archive reveals life on northern streets of 100 years ago

Ian Burrell,Media Editor
Thursday 29 July 2004 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The earliest known footage of Manchester United and the first filmed reconstruction of the arrest of a fraudster are among gems in an extraordinary archive discovered in metal urns in a Blackburn shop and about to be shown for the first time on television.

The earliest known footage of Manchester United and the first filmed reconstruction of the arrest of a fraudster are among gems in an extraordinary archive discovered in metal urns in a Blackburn shop and about to be shown for the first time on television.

Experts at the British Film Institute (BFI) have spent more than three years restoring the 850 recovered films to recreate a remarkable record of Britain in the first decade of the 20th century.

The footage is the work of two Lancastrian entrepreneurs, Sagar Mitchell and James Kenyon, pioneers of British film making who used the earliest camera equipment.

For 13 years, from 1900 till 1913, they toured the great Victorian cities in Britain, recording the momentous events of the time and the everyday lives of working people.

A three-part BBC2 series, called The Lost World of Mitchell and Kenyon , planned for the autumn meant more than a million frames of film had to be carefully restored to the highest quality by the BFI and the BBC. Simon Ford, the executive producer, said: "It's not Charlie Chaplinesque. There's no jerkiness and piano accompaniment; it's much, much clearer." Mr Ford said Mitchell and Kenyon were motivated by money. "There were no cinemas so they would show the films at fairgrounds or music halls," he said.

Mitchell and Kenyon filmed workers at factory gates. They recorded troops leaving for the Boer War and migrants embarking from Liverpool for America. They stood in trams and filmed everyday streetlife in cities such as Birmingham, Manchester, Nottingham and Sheffield.

Mitchell and Kenyon also reconstructed the arrest of the notorious fraudster, Thomas Peterson Goudie. Other footage shows the last soldier to receive a Victoria Cross from Queen Victoria. Another sequence captures William "Fatty" Foulke, the 22-stone Sheffield United goalkeeper believed to have inspired the terrace chant "Who Ate All the Pies", and footage of Manchester United just after they changed their name from Newton Heath in 1902.

Mitchell and Kenyon's film-making careers finished because they were unable to compete with the might of the growing American movie industry.

The films were lost until a decade ago, when Peter Worden, a film historian, found they had been stored in tall metal containers in the basement of what had been Mitchell's photographic shop.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in