Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Bacon portrait of lover fetches record £4.9m

Harvey McGavin
Friday 24 June 2005 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A portrait by Francis Bacon of his one-time lover has been sold for £4.9m at auction, a record price for a painting by the artist.

Bacon's 1967 work, Portrait of George Dyer Staring Into A Mirror, fetched £500,000 more than the previous most expensive Bacon - a portrait of Henrietta Moraes sold in New York three years ago.

It also fetched considerably more than its advance estimate of £2.5m-£3.5m.

The successful, unnamed bidder on Lot 24 in the Post War and Contemporary Art Sale at Christie's in London, has bought what many critics believe to be among Bacon's best works, and which documents of one of his most tempestuous relationships.

The meeting between Bacon and Dyer in 1964 has passed into art folklore. The Dublin-born artist liked to say he first encountered the small-time criminal as he caught him red-handed in the act of burgling his studio. Bacon reputedly said "Take all your clothes off and get into bed with me. Then you can have all you want." Another, more prosaic, version has it that Dyer approached Bacon and his friends during a night of drunken revelry in Soho.

Their meeting marked the beginning of an intense friendship, during which Dyer became Bacon's lover and muse through much of the 1960s.

Portrait of George Dyer Staring Into Mirror shows him sitting cross-legged, dressed in a boxy suit of the kind favoured by the Krays, glancing sidelong into a mirror. Like many of Bacon's portraits - especially those of his lovers - the sitter's features are distorted and smeared. It was one of many paintings Bacon made of Dyer during the late 1960s.

Dyer, a drifter with a speech impediment who had spent time in prison before he met Bacon, was unhappy for much of their time together and felt inadequate among Bacon's erudite social circle, committed suicide in 1971. After his death Bacon painted two triptychs in his memory.

"His stealing at least gave him a raison d'être, even though he wasn't very successful at it and was always in and out of prison" Bacon once said. "It gave him something to think about ... I thought I was helping him when I took him out of that life. I knew the next time he was caught he'd get a heavy sentence.

"And I thought, well, life's too short to spend half of it in prison. But I was wrong, of course. He'd have been in and out of prison, but at least he'd have been alive."

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in