Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Prints fraud led by grandmother

Dalya Alberge,Art Market Correspondent
Tuesday 07 December 1993 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

SOME PEOPLE remember Hilda Amiel as a sweet granny in her seventies who loved nothing better than a chat with the neighbours. Few could have guessed that Mrs Amiel was masterminding the world's largest art counterfeiting ring from Long Island, New York.

In an art scam worth, according to one report, up to dollars 500m ( pounds 325m), a gang including her two daughters and granddaughter flooded the market with tens of thousands of 'limited edition' prints by Picasso, Chagall, Miro and Dali. They were sold world-wide by the Amiels' company, Original Artworks.

The story has been revealed in the US courts following an 18-month investigation by police. But Mrs Amiel, who took over the family business from her husband, died last January, before the trial began. One source said she was charged, but not tried, because she was dying of cancer.

The daughters, Kathryn Amiel, 49, and Joanne Amiel, 46, and granddaughter, Sarina Amiel, 25, have been found guilty of fraud and conspiracy charges and await what could be long sentences. Throughout the trial, they insisted they had no idea the artwork was counterfeit. Original Artworks sold works to more than 100 dealers. Collectors were duped into paying several thousand pounds for prints worth perhaps pounds 5. When police raided the company's warehouse, they found about 77,000 prints, including 50,000 'Dalis' and 20,000 'Miros'.

The prints are 'terrible', according to Constance Lowenthal of the International Foundation for Art Research in New York, who first came across one of the fakes about 10 years ago: 'I have one, a 'Dali', hanging on my wall, as a memento. The process by which they were produced is the same for colour printing that you have in any magazine.'

According to the Chicago Tribune, a large Miro print titled La Captive, sold for about dollars 12,000, showed that someone had used felt-tip to touch up the image.

A 1736 silver chandelier made by Balthasar Friedrich Behrens has been sold for pounds 2.27m by Christie's in Monaco, to the leading Al Tajir silver collection. Sold on behalf of the fashion designer Hubert de Givenchy, the chandelier set a record price for a piece of silver.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in