Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Glimpses from a forgotten life

David Keys
Monday 21 June 1993 00:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

ONE OF the greatest yet least known of 20th-century photographers is being commemorated in an exhibition which has just opened in London.

The 74 photographs in the show at the Simon Tracy Gallery in Marylebone, north-west London, were taken by the American ethnologist Edward Curtis between 1900 and 1928.

Curtis carried out the largest photographic record made of American Indian life. He took 40,000 pictures, of which 2,300 were attached to a 291-edition, 20-volume work he produced on his researches.

His work was supported by President Roosevelt, who wrote in a foreword: 'Our generation offers the last chance to do what Mr Curtis has done. He has caught glimpses into that strange spiritual life and mental life from whose innermost recesses white men are forever barred.'

Curtis recorded the costumes, rituals and lifestyles of 80 American tribes in more than a score of US states and Canadian provinces.

Despite Roosevelt's generally accurate claim that non-Indians were 'forever barred' from the 'innermost recesses' of Indian spiritual life, Curtis did become deeply involved in his subject, both professionally and spiritually. He was the only white man to be enrolled as a Hopi Indian priest - and took part in the ultra-secret 16-day Hopi Snake Dance, perhaps the most famous of all North American Indian rituals.

While photographing (and making sound recordings) of Indian life, he tried to live as the Indians did - and once almost lost his life while trying to catch giant octopuses with his hands. The Indians called him 'Shadow Catcher'.

Before the First World War there was great public enthusiasm for his work. But from 1914 until the Seventies, interest was low. Recent years, however, have seen a resurgence: a set of his 20-volume work (complete with its 2,300 pictures) sold at auction last year for dollars 360,000 ( pounds 243,000).

Curtis died, aged 84, in 1952.

He spent many years in a Denver hospital suffering from physical and mental exhaustion and ended his days in anonymity on a Californian farm raising ducks and chickens.

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in