Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Forgotten Old Master boosts ailing church: Italian work may help put new roof on an 800-year-old church, writes Dalya Alberge

Dalya Alberge
Friday 02 July 1993 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A COUNTRY vicar yesterday proclaimed 'great hallelujahs' at the discovery of an Old Master painting in a darkened corner of his church worth an estimated pounds 30,000.

The dramatic picture, The Massacre of the Innocents, by a 17th-century Neopolitan artist in the circle of Francesco de Rosa, called Pacecco - to be sold at Bonhams on 8 July - is likely to go a long way towards solving the restoration problems of the 800-year-old church of St James's, near the village of Dauntsey, Wiltshire.

'It's a miracle,' said the Reverend Derek Ormston. 'We need pounds 80,000 worth of repairs on the roof and gutters. The roof, which has perished, is all slate. You can't put modern cheap tiles on it. You need handmade slate tiles. The longer it is delayed, the more it'll cost.'

The painting, spattered with bat droppings, was spotted by Paul Whitfield, deputy chairman of Bonhams who lives locally.

Andrew McKenzie of Bonhams said that they arrived at the attribution after extensive research, and consultation with leading academics on Italian Baroque painters. He said that the painting shows the inspiration of Caravaggio, the most influential figure on Neopolitan artists of that period. Yet Mr Ormston said that no-one had ever really noticed it: 'The irony is that it shows the slaughter of children and guess where it was hung? In the children's corner of the church. Somebody had a sense of humour.'

Before the church could sell the painting, it had to establish ownership. Mr Ormston said that there is nothing in the records: 'One of the old ladies in the parish remembers a time when it was not there.' He believes that it may have been a gift in 1906, when the church was undergoing renovation, from the art-collecting owner of a nearby manor house. 'No-one's made any claim, so that's it,' he added.

In an ideal world, the sale would raise the funds needed to restore the church's medieval doomboard, depicting The Last Judgement. It is one of only five in the country. Its restoration will cost some pounds 20,000.

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in