Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Cathedral visitors to get 3D experience of Christian nativity masterpiece

The exhibition opens on January 22 and runs until April 3.

Ben Mitchell
Wednesday 19 January 2022 16:00 GMT
A person looks up at a copy of Jan Gossaert’s Adoration Of The Kings (Andrew Matthews/PA)
A person looks up at a copy of Jan Gossaert’s Adoration Of The Kings (Andrew Matthews/PA) (PA Wire)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A 3D recreation of a masterpiece depicting the Christian nativity scene has been installed at Winchester Cathedral to “transport visitors into the world of the painting”.

Yurt-like pods have been set up in the north transept of the 11th-century cathedral inside which a digital reproduction of Jan Gossaert’s Adoration Of The Kings will be projected for visitors.

The exhibition, Sensing The Unseen: Step Into Gossaert’s Adoration has been produced by London’s National Gallery to create an immersive experience of the oil painting that dates back to 1501-15.

A cathedral spokeswoman said: “The exhibition space will house the large facsimile painting, spot lit against a black backcloth flanked by three yurt-like pods.

“Inside the pods, visitors will encounter a screen featuring a digital image of the painting, which has been ‘sonified’ using a soundscape comprising ambient sound, spoken word and music created by sound artist, Nick Ryan.

“Interactive digital imagery will transport visitors into the world of the painting, to discover and navigate previously unseen elements in forensic detail: the weave of the fabric, Gossaert’s fingerprint in the green glaze where he blotted it, thistles and dead nettles, hairs sprouting from a wart on a cheek, a tiny pearl, and a hidden angel.”

Alison Evans, the cathedral’s chief operating officer, said: “We want as many people as possible to come and experience this new way of looking at art where, with the help of digital technology, visitors feel they are transported into Jan Gossaert’s painting.”

Dr Gabriele Finaldi, director of the National Gallery, said: “Sensing the Unseen offers an opportunity to immerse yourself in the world of this sensational masterpiece, in the deep and rich story it tells and in the artistry that made it.”

The exhibition opens on January 22 and runs until April 3.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in