Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

The Eel and the Cherry share the Palm in Cannes

PEOPLE

Sunday 18 May 1997 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The 50th Cannes Film Festival last night awarded a joint Golden Palm best film prize to the Japanese director, Shohei Imamura, for The Eel, and Abbas Kiarostami, the Iranian director for The Taste of the Cherry, a surprise decision.

Most critics at the French Riviera resort had seen no outright favourite for the money-spinning top prize, which was awarded by the jury.

The jury president, the French actress Isabelle Adjani, announced a special 50th anniversary prize, awarded to Egypt's Youssef Chahine for all his work. The Sweet Hereafter, by Canada's Atom Egoyan, won a runner-up Grand Jury Prize.

Sean Penn was voted best actor for She's so Lovely, by fellow American Nick Cassavetes, and Kathy Burke was voted best actress for Nil by Mouth, by Britain's Gary Oldman.

But the critics weren't impressed. "Quality-wise this year has been very average. Just a few years ago, and even more so 20 years ago, there was a masterpiece a day at the festival," said Michel Ciment, who edits the French film magazine Positif.

"What is serious this year is that there were no major discoveries outside the competition, no one like Wim Wenders for example," Mr Ciment said.

"This year there was too much of an emphasis on stars. There were much better films for the competition than Johnny Depp's The Brave, but organisers wanted him and possibly Marlon Brando so it got in," he said.

Surveys by Screen International and Moving Pictures had put Ang Lee's The Ice Storm, about a New York suburban family, and Curtis Hanson's fast- paced thriller, LA Confidential, in a narrow lead.

Outsiders also tipped by Cannes critics to pick up big prizes included Oldman's partly-autobiographical Nil By Mouth, and Michael Winterbottom's Welcome To Sarajevo, about a television journalist's adoption of a Bosnian child.

Mr Ciment opted for Egoyan's film because it "is very rich and complex, and because it's his seventh film and he's at the stage where he needs a major reward".

Violence in many films - sci-fi in the French director Luc Besson's The Fifth Element, or wife-beating in Oldman's movie, among others - dampened birthday celebrations.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in