Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Page 3 Profile: William Friedkin, director

 

Liam O'Brien
Thursday 29 August 2013 22:20 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Is The Exorcist on re-release for the 37th time?

No, surprisingly. This time it’s his underrated 1977 film Sorceror that’s being restored for today’s cinema audiences. He’s in the Venice Film Festival to promote the film, and yesterday he was also bestowed with the Golden Lion for Lifetime Achievement. The 77-year-old is a favourite of cinephiles worldwide, and his 1971 movie The French Connection and 1973’s The Exorcist are rightly regarded as classics.

Hasn’t done much in a while, has he?

You’re wrong! In 2011 he released Killer Joe, an audacious romp starring Matthew McConaughey that made it impossible for those who’d seen it to look at fried chicken in the same way again. It was hardly a roaring success, but then it was made without the help of the major studios.

Then why not call his friends at Warner Bros or Sony?

Not the best option if you want to maintain some semblance of originality, according to the director himself. Hollywood’s big players only commission films that have “someone wearing a spandex suit with a letter on his chest flying around the world saving it from evil”, he told Deadline. “I don’t want to do that. I don’t even want to watch it.”

Who’s behind the restoration of Sorceror?

That’ll be, err, Warner Bros.

Hypocrisy alert!

The studio could make a tidy profit from it in the long run. Overshadowed by Star Wars on its original release and a flop with critics, its reputation has soared over the past few years and both Quentin Tarantino and Roger Ebert counted it among their favourites. The film, which follows a group of outcasts taking a cargo of dynamite through the jungle, is the one Friedkin claims came closest to his original vision.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in