Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Beale's Best In Show: Coca-cola (Santo)

Monday 30 June 2008 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The most famous creative in British advertising is an Argentine (flay yourself if you've never heard of Fallon's Juan Cabral, the only man to bring back a Cannes Grand Prix to these shores last week).

And there's a persistent feeling that if you want fresh, hot creative talent, Argentina is the place to look. So there was more than a flash of interest when one of Argentina's creative hotshots recently opened its doors in London, backed by the mighty WPP. Santo launched in April and its first major work has just broken: a series of idents for Coca-Cola that are running in the final stages of Euro 2008.

The ads are called The Unhuggables and are a series of 10-second spots which feature the same Coke-swigging bloke in a bar celebrating a goal. Each time he leaps up to hug his neighbour at the bar in triumph, his neighbour turns out to be the last person you'd want to squeeze, from a giant (who presses our man's face into his groin) to a bee keeper covered in bees.

So, are they further evidence that Argentine creatives could rule the world? Not quite.

But they are quirky-funny, less pompous than some Coke work and they're certainly engaging enough not to irritate despite the fact that there are 12 in the series. The Argentines have arrived.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in