Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

First Night: Crude, rude - and irresistible

Sir Les Patterson Royal Festival Hall London

James Rampton
Thursday 24 June 1999 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

AH, THE Royal Festival Hall, the august venue which plays host to refined string quartets, uplifting choral works and, er, Sir Les Patterson, the man who has raised the public emission of bodily fluids to an art form.

But playing in these sophisticated surroundings as part of the Meltdown 99 Festival only seemed to egg Sir Les on to ever more gross extremes. He was like a naughty schoolboy, unable to suppress the urge to swear in front of the vicar. Sir Les himself admitted: "I know a lot of you are asking what is Les Patterson doing in a beautiful venue like this? And I tell you, I'm asking the same question."

Sir Les is the ultimate one-joke wonder - in his search for material, he rarely sees the need to stray far beyond his own orifices. But it is a joke pulled off with such panache that it scarcely matters.

From the moment he marched on stage last night after Nick Cave's fulsome introduction and asked, "Who was that tall streak of piss?", we knew we were not destined for a night of exquisitely subtle wordplay.

The audience, however, simply lapped up the stream of single entendres, most of which are too rude for reproduction in a family newspaper. I could not, for example, begin to recount what he produced from his trousers during his duet with Kylie Minogue. Nor would I contemplate repeating his explanation of how the Poet Laureate came to be known as Andrew Motion.

Barry Humphries' creation may revel in his image as the man political correctness forgot, but it is hard to resist a performer who takes such obvious joy in language. For instance, he called a hard-drinking friend "a card-carrying turps-nudger who bugles the bottle". Sir Les savours words like drops of amber nectar.

I could easily have lived without Sir Les's songs, and there was a ghastly crashing of gears as Germaine Greer came on in an academic gown to read out a ribald poem by the Earl of Rochester.

A garnish of kitsch was provided by a leather-clad Rolf Harris - yes, it was that kind of night. Dame Edna Everage also made a sparky appearance, breezing in for just long enough to insult a woman in the front row about her frock. "It's a lovely fabric. You were lucky to get so much of it."

But it was Sir Les's show. As he exited, the audience whooped and hollered with a fervour rarely heard within the hallowed portals of the Royal Festival Hall. Is Sir Les Patterson the greatest Australian export this side of the cricketer Shane Warne? No worries, mate.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in