Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

View from City Road: The art of getting there first

Wednesday 23 December 1992 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

CHRISTIES' decision to follow its rival, Sotheby's, in raising buyers' commission rates dovetails neatly with growing signs of life in the art market.

When shares do well - as they have done since devaluation - the art market usually perks up in sympathy. After two years of gloom, when art buyers, particularly the Japanese, with fat wallets have been thin on the ground, there are now hopes that the market has bottomed.

To some extent figures disclosed by Christies yesterday could support this view. Annual sales at the auction house rose by only 2 per cent to just over dollars 1bn last year.

But sales during the August-to-December autumn provide a more interesting perspective. In dollar terms they edged higher by 4 per cent, but sales rose by 17 per cent to pounds 312m in sterling.

Christies' trading is similar to the trends revealed by rivals like Sotheby's and Phillips. All three houses are reporting renewed confidence in the international art market.

For example, Christies' autumn sales of Impressionist and modern pictures - which had suffered badly from the recession, having ridden so high during the art boom of the Eighties - surged ahead by 70 per cent in dollars compared with the admittedly low levels of a year ago.

Among notable works snapped up were a Matisse, which fetched a record dollars 14.5m in New York. This overtook the previous record set by the artist's work in October 1989, when the market was at its peak.

Meanwhile, prices of Old Masters, jewellery and porcelain have remained robust.

Attracted by a cheaper pound, an increasing number of overseas buyers have been bidding up prices in London and there are hopes this will continue into 1993.

Both Christies' and Sotheby's profits are heading for a sharp improvement next year, thanks to their decision to raise buyers' charges from 10 to 15 per cent on the first pounds 30,000 hammer price.

In Christies' case, the impact of the increase could be substantial. It stands to boost profits by about pounds 10m, which makes a full-year pre-tax figure of pounds 20m, compared with just pounds 4.5m this year, within reach in 1993.

Unfortunately the stock market has got there first and the upside potential for the shares, up 11p to 145p, is limited. Both Christies' and Sotheby's shares are already trading on more than 20 times 1993 earnings and are for collectors only.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in