Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Bunhill: Leeway for mix-up

Nicholas Faith
Saturday 14 May 1994 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

RONALD LEE Fine Arts Ltd is not to be confused with RA Lee plc, let alone with the gentleman himself, a well-known furniture expert who often bids at auction (without fee) on behalf of the British Museum.

The BM was naturally interested in the two 13th-century panels in the illustration, since they are the only two remaining from Henry III's Painted Chamber in the medieval Palace of Westminster. Unfortunately, Lee found himself on the losing side against a representative of Ronald Lee Fine Arts Ltd, now a subsidiary of Asprey, where he was a consultant.

After a spirited battle a client of Asprey - or Ronald Lee Fine Arts, to be precise - bought them for pounds 132,000, well above the BM's limit of pounds 80,000. The result of the confusion has been a series of explanations, each more tedious than the last, claims (and denials) of punch-ups, the departure of Ronald Lee from Ronald Lee Fine Arts, and the danger that the panels, which are of undeniable historical importance, could be resold and leave the country.

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in