Grant was once synonymous with Richard Curtis movies, but he’s now unabashedly in the ‘freak show period’ of his career. Is he about to be pigeonholed again, asks Katie Rosseinsky?
The ‘Superman’ star’s final film was a made-for-TV remake of a Hitchcock classic. And despite its radical pleasures, it’s been lost to time, writes Geoffrey Macnab
As Joe Dante’s singular horror-comedy is re-released in cinemas for its 40th anniversary, Geoffrey Macnab looks at the unlikely backstory behind a true original