Latest film features

<p>‘Opus isn’t necessarily that different from reality – I mean, the world is pretty insane’</p>

Interview

Murray Bartlett: ‘I looked down on soaps – and really regretted it’

Louis Chilton speaks to the Emmy-winning star of ‘The White Lotus’ and ‘The Last of Us’ about navigating fame, turning down ‘Neighbours’, and his new satirical thriller ‘Opus’

A24’s cult thriller Opus is yet another superficial riff on Midsommar

<p>Michael Fassbender is making an acting comeback of late</p>

inside film

The rise, fall and (very quiet) return of Michael Fassbender

<p>Carrie-Anne Moss: ‘Not only am I drawn to genre films, but they are drawn to me’</p>

Interview

Carrie-Anne Moss: ‘I cried and cried… my heart hadn’t got tough yet’

<p>No time to pay tribute: David Lynch was hardly acknowledged in the 2025 Oscars</p>

Oscars 2025

Why did the Oscars spend more time mourning 007 than David Lynch?

Inside Film

<p>Divisive Dane: Lars von Trier’s work has attracted as many boos and walkouts as it has awards and adulation</p>

Inside Film

Lars von Trier’s Parkinson’s diagnosis spells doom for cinema

As the controversial director behind ‘Antichrist’ is admitted to a care centre for Parkinson’s weeks after the death of David Lynch, Xan Brooks wonders whether this may be the endgame for a certain strain of uncompromising left-field cinema

<p>Robert Altman was the Oscar-winning director of ‘The Long Goodbye’ and ‘Nashville’</p>

Inside Film

The enduring legacy of Robert Altman, ‘pirate king of American film’

The pioneering director behind ‘M*A*S*H*’ and ‘Gosford Park’ would have turned 100 this month. Louis Chilton looks at the life of one of cinema’s true greats – and explains why he deserves far more credit for the film landscape of today