Theatre: Real life facts and fairy tales

Mike Higgins
Tuesday 02 December 1997 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Change of Heart

Young Vic Studio

Issue-driven theatre has an uphill battle to win hearts and minds at the best of times. Pricking the conscience at Xmas, then, when most audiences expect nothing more demanding than the brain tinsel of panto, needs fine judgement.

A fifteen year old girl with Down's Syndrome is the inspiration for Strathcona Theatre Company's ambitious . Jo Harris needs a heart lung transplant which her learning disability prevents her from receiving in this country.

Dramatically, the true story of Jo Harris has the tragic clarity and moral resonance that suits the fable it has inspired. "We've adapted Hans Christian Andersen's Snow Queen into a fantasy Christmas fairy-tale" explains the director Ian McCurrach, "but Jo's situation gives it a serious underlying message." The classic folk tale of the Snow Queen, who quests ceaselessly to find a new heart, at a personal level obviously touches on Jo's plight, but the Strathcona production ought to be an eloquent ethical assertion that quality of life is not directly proportional to mental ability.

In drawing a starkly topical parable from its folklore roots, deploys mime, dance and text and, like its critically acclaimed previous productions An Error of Judgement and Breaking the Mould, has been devised by the artistic directors with an ensemble of performers with learning disabilities.

To 20 Dec pounds 8 (concs pounds 4) 0171-928 6363; Young Vic Studio, 66 The Cut, South Bank, London SE1 8LZ. (Proceeds from the 13 December performance will go towards a fund to pay for a heart-lung transplant operation for Jo in the USA.)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in