Records

Nicholas Barber
Sunday 09 August 1998 00:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

POP

Graham Coxon: The Sky Is Too High (Transcopic, CD/LP). This is the first solo album from Blur's guitarist, whose singing is a less yobbish variation of Damon Albarn's querulous Estuary English. "The instruments are all played by myself and due to my own impatience with recording processes, the songs were bashed out in five days," he says in his press release. "The music ranges from angry and peurile [sic] to depressing and rural." That just about sums it up, although "ranges" is perhaps over-generous, as there isn't really anything in between head-battering punk squallings at one extreme - "Who the Fuck?" is what 1994's "Parklife" would sound like if it had been recorded by today's Blur - and melancholic folky twangs at the other. And although Coxon does indeed play all the instruments, usually that just means that he picks at an acoustic guitar. The wilfully under-arranged demo-tape feel will deter most of Blur's fanbase, but The Sky Is Too High establishes Coxon as a gifted composer in his own right. Now that Alex James has had hits with MeMeMe and Fat Les, you can't help but think of how rich the next Blur album would be if Damon shared out the songwriting duties a bit more evenly.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in