RECORDED DELIVERY
A critical guide to the week's videos
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Over hyped, over successful and over here, Independence Day (12, see above) 20th Century Fox, 10 Feb, pounds 12.99, will no doubt blow all other retail releases out of the water this week with its soulless tale of invading aliens. Last summer, trailers showing a giant saucer zapping the White House were enough to get audiences into cinemas, only to find that they had already seen the best bit. If you are one of the few people who weren't disappointed, you can join the ranks of rental malcontents by watching the video at home. But note, this plotless load of SFX relies on spectacle, so if you don't own a 10ft screen, it's not worth the trouble.
If it's effects you're after, you'd do far better to invest in A Chinese Ghost Story (15), Columbia/TriStar, 10 Feb, pounds 12.99, a fantastic and bizarrely beautiful thriller from Hong Kong. Made by martial arts director Ching Siu-Tung, it follows the quasi-mythical adventures of a wandering tax collector who spends the night in a haunted temple, falls in love with a ghost and comes face to face with hell itself. The fairytale is lent an unusual edge by supernatural goings on, but for all the flying heads, this is a gentle movie, sporting a sly humour - best evidenced in a sublimely silly rap song delivered by a Taoist priest.
Carl Franklin's Devil in a Blue Dress (15), Columbia/ TriStar, 10 Feb, pounds 12.99, also shuffles generic conventions, introducing a black detective into the familiar demi-monde of film noir. A slightly too-dapper Denzel Washington plays "Easy" Rawlins, a private eye paid to trace a missing woman, who gets caught in a web of corrupt politics and murder. By being lured into this world by a femme fatale, Rawlins is following a route already worn down by the footprints of hapless gumshoes, but Franklin enriches convention with a racial twist. Life is never smooth for the private dick, but it's certainly less easy for "Easy", abused, as he is, by racist whites, from police to kids. The film can feel a little listless, but it's certainly worth seeing, if only for Franklin's loving recreation of the period.
Last, and best, is the stunning Cyclo (18), EV, 10 Feb, pounds 12.99, a film that takes an hallucinatory plunge into the dark heart of Ho Chi Minh City. Its story traces the descent of a pedal taxi boy from innocence to violent corruption. Searching camera work uncovers the violence and beauty of street life in a way that will leave you reeling.
Liese Spencer
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments