Preview: Picture Preview: `Gretta: Reflections of a Woman'

Monday 01 December 1997 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

From her avant-garde work in the Seventies and Eighties to her return to first principles in the Nineties, Brazilian artist Gretta Sarfaty has always concerned herself with perceptions of the body. Sarfaty's latest series addresses the role of the nude in art history and, though earlier work will be exhibited, the new paintings focus specifically on the play of reality and image suggested by the major motif of "Reflections of a Woman", the mirror.

Wolseley Fine Arts, Gallery 27, 27 Cork Street, London W1X 1HB (0171- 734 7595) to 13 Dec

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in