Pop Preview: Sounds like teen spirit

Jennifer Rodger
Monday 08 December 1997 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Ben Folds Five

Manchester University

may take their rock sensibility from the Rolling Stones and jazz beats from Squeeze, but at least they try to make sure that everything else is original. Self-described as a "piano, bass and drums power-trio", the misleadingly named threesome's piano-led sounds have gained them UK chart success with the Top 40 hits "Underground" and "Battle of Who Could Care Less" from their second album Whatever and Amen.

The song titles are an insight into 's serious intentions. There will be no messing with guys who belt out lyrics like "Song for the Dumped", with it's uncompromising chorus, "Well fuck you too/ Give me my money back, you bitch". However the album sleeve notes show that for all their twisted lyrics, they are sincere. It is littered with such earnest promises as "The band and producer are confident that your money was well spent on an album relatively free of major sonic and musical problems."

Aside from their often obscure and bitter lyrics, have also reintroduced classical instruments to their sets. A grand piano at a pop gig causes an outcry, backed by the belief that the piano belongs to late-night television with Jools Holland or under the hands of Elton John. "If getting your instrument to a show is ridiculously difficult, do you think you're going to make any compromises once you get there?" says Ben Fold.

The album sleeve notes hit back at their critics with, "The lyrics or text were created to detract from the repetition inherent in modern instrumental pop music." Sounds like American teen spirit is about to hit Britain.

play Manchester MDH, tonight; Bradford University, tomorrow; Shepherd's Bush Empire 11 Dec; Glasgow QMU 12 Dec and Dublin Redbox 13 Dec. Tickets for usual outlets.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in