New Films: The Myth of Fingerprints (15) Directed by Bart Freundlich
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.There are too many characters and not enough time in The Myth of Fingerprints (which isn't to say that I wished it were longer; legend has it that you'll find a pot of gold at the feet of a film critic who complains about movies being too short these days).
It takes place over Thanksgiving, which is American cinema's equivalent of hell. The grizzled father (Roy Scheider) and the jaunty mother (Blythe Danner) anticipate the coming congregation of their offspring. Naturally, there is scalding rage and guilt to go with the turkey and stuffing, but the film doesn't probe deep enough - it's all surface. It's some consolation that it has a perfect cast, including Noah Wyle from ER, and Julianne Moore, who continues to confirm that she is the greatest American actress alive today. As the brittle, repressed daughter, her personality has teeth; you enter at your own risk.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments