The Crown’s makeup artist says transforming cast is not a ‘Stars in Their Eyes moment’

‘It’s a bloody long process that goes over months and months,’ Cate Hall said

Laura Hampson
Tuesday 08 November 2022 16:11 GMT
Comments
Elizabeth Debicki gives an uncanny performance as Princess Diana in The Crown

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The hair and makeup designer for The Crown has revealed that transforming the cast of the fifth season of the hit Netflix show wasn’t a “Stars in Their Eyes moment”.

Speaking during a livestream on Monday (7 November), makeup artist Cate Hall said: “I think people think there’s a kind of Stars in Their Eyes moment, where [the cast] suddenly walk out and it’s like they see themselves for the first time.

“But actually it’s a bloody long process that goes over months and months where you make these very incremental steps.”

Hall, who has worked on The Crown’s previous seasons, explained that sculpting the wigs can take “hours and hours”.

“They [the wigs] go through awful phases of, like, weird other characters,” Hall said. “You know, looking like a kind of Amish Sunday school teacher or a crazy cleaner and eventually you get to the point where your work comes together with all the different departments, but it isn’t really an instant moment.”

The Crown’s costume designer Amy Roberts added: “You’re painting a picture. Portrait takes time and trust and development. They need to know where they’re going as well don’t they?”

Elsewhere in the livestream, Hall revealed what it was like trying to depict the “Sam McKnight haircut-era” of Diana, Princess of Wales as she was in the early to mid-Nineties.

Elizabeth Debicki in The Crown (left) and Diana, Princess of Wales (right)
Elizabeth Debicki in The Crown (left) and Diana, Princess of Wales (right) (Netflix/Getty)

“This is not a kind of fragile young debutant who is thrust into the limelight,” Hall explained. “This is a woman who’s reclaiming that space and saying, hold on a second. I have a voice. I can do this, I can carve my own niche. I’m valuable and I have something to offer.”

Of the transformation of Elizabeth Debicki into Diana, Hall added: “That haircut is pretty difficult to pull off in a wig.

“And then you’re talking like this, top to toe transformation. Elizabeth is much paler than Diana was, [so there was] constant tanning and and and makeup to try and push her towards the kind of Diana that we remember.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in