Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Christian Dior: Simons brings a breath of fresh air to a famous label

Susannah Frankel
Saturday 29 September 2012 01:29 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A breath of fresh air blew through not only an old status label but also French fashion as a whole when Raf Simons showed his debut ready-to-wear collection for the house of Christian Dior in Paris yesterday.

First came tailoring: it was stripped back and ultra-light but, with an exaggerated, constructed hip, womanly too. Next out were bell-shaped dresses first seen at Simons' haute couture collection for Dior in July only here in palest fondant colours, wrapped in metallic organza and worn around tailored shorts. They looked like wearable and delicious – sweets.

Dior founded his house in 1947 and "embraced the feminine, the complex and the emotional," Simons said. "An idea of freedom from what had gone before... I wanted to do that too."

He succeeded, from bold, bright trapeze-line dresses naively embellished with jewels to ballgown skirts worn with nothing more complicated than fine-gauge black cashmere knits.

Then there were the accessories to consider. The softest, simplest bags in pastel shades bore only a trace of the requisite chain handle and even that was coloured to match the leather.

"I am a fan of minimalism," Simons continued. "It is a conceptual approach I like, but it not the only one I like. Neither is it the only type of woman that I want to dress." From its brilliant reworking of statement dressing to the youthful vigour of contemporary daywear this was a collection that any woman worth her credentials will love to wear.

CHRISTIAN DIOR

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in