Susannah Frankel: Ballerinas, versatile, elegant and now a classic

Ready To Wear: 'It will be possible to snap up a limited-edition copy of the ruby red Repettos that were made for Brigitte Bardot'

Monday 18 August 2008 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Picture the Independent fashion team loitering in front of the office early last week for no apparent reason – oh, alright then, we were, as Kate Moss is wont to proclaim, having a fag – and knock me down with a feather if we weren't all wearing the same shoes. This was not, thankfully, as embarrassing as it might seem. The footwear in question was not of the must-have variety – we were not like three Wags at a wedding in the identical Chloé outfit, for example. We were not all wearing Yves Saint Laurent Tribute sandals. Instead, ballet slippers were our mutual choice, and they looked just fine and dandy – with skinny jeans, with a candy-pink miniskirt and with a little black dress.

This should come as no surprise. Whether "ballerinas" – as they are now known – appear at the top or bottom of any in/out barometer, they are by now a classic. A most democratic choice of footwear, they can be worn with anything whatsoever, and are simple and elegant rather than fashion fabulous. Most importantly, they can be styled any way their wearer wants them to be.

And that is clearly the thinking behind a travelling exhibition celebrating the 60th anniversary of Repetto – Parisian home of the ballet pump for on- and off-duty ballerinas alike – which lands in London today. The show, at Dover Street Market, features customised designs by 60 luminaries from the worlds of dance, film, art, choreography, music, design and, of course, fashion, all keen to put their own stamp on this wardrobe staple.

Catherine Deneuve's pumps, then, are wrapped in rosy tulle; Chloë Sevigny's are platformed; Carla Bruni's are stamped with dragonflies and stars; Jean Paul Gaultier's are lined in a Breton stripe; and Kirsten Dunst's have a sad little face painted on them, complete with crimson moue (poor Kirsten!). There will also be tutus designed by the store's maverick proprietor, Rei Kawakubo. My favourite is a big tutu with a baby one appliquéd on to it.

Sadly, none of these collectables will be for sale here – instead, they will be auctioned in Paris in October to raise money for Repetto's Dance For Life initiative, part of Unesco's Education of Children in Need programme. However, for £255 it will be possible to snap up a limited-edition (of just 30), numbered copy of the ruby-red Repetto ballet shoes made for Brigitte Bardot, and worn by her in her first film – And God Created Woman.

Join the queue now. Dover Street Market, www.doverstreetmarket.com

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in