Ready to Wear: Houndstooth is fierce, and signifies power over and above prettiness

Susannah Frankel
Monday 02 November 2009 01:00 GMT
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Houndstooth check is very fashionable just now and if ever there was a signifier of fashion aimed squarely at those with womanly – as opposed to girlish – tastes, then this must surely be it.

At Alexander McQueen the glory days of haute couture (that's the 1940s-1960s) were given the most almighty twist, resulting in ever more complex and unorthodox takes on bourgeois French fashion.

This was subversion as opposed to simply homage – although the latter was there in spirit too, expressed in the loving attention to pattern-cutting and detail that, for the most part, is rarely the stuff of ready-to-wear fashion (a poor relation by comparison). The designer even morphed the classic houndstooth into an MC Escher bird print. Marvellous.

Peter Jensen offered up an equally scaled-up view, most memorably in cape form and more sporty in flavour. Preen, too, looked at the famous tweed, this time in simpler, short, sweet Sixties-style shifts and strong-shouldered jackets that were indebted to the 1980s. Finally, houndstooth New Look-line dresses appeared at Moschino also. Cue hounds-tooth skirts, bags, ankle boots and more, at a high street store near you.

Sometimes houndstooth is called dogtooth and, when it's smaller, which it's certainly not for now, puppytooth. Scottish in origin, it is named after the jagged effect that might arise from the bite of a not-so-friendly canine. The French have different ideas. The Gallic translation of houndstooth is pied-de-poule – 'chicken foot'. That sounds nice in the original tongue but is rather less aggressive.

For the most part, the effect of a woman in houndstooth – it was originally the preserve of menswear – and particularly head-to-toe houndstooth, is a fierce one, signifying power over and above prettiness, which is relevant given the thrusting looks of the moment.

In the 1960s, Geoffrey Beane trimmed houndstooth dresses with lace and New York's social butterflies couldn't get enough of them. In the 1980s, houndstooth cropped up here, there and everywhere, for wear in the (matt black) boardroom ideally. In autumn 2003, the Japanese designer Yohji Yamamoto came up with an entire collection in houndstooth check – from signature over-sized coats with equally over-sized fringed edges, to chiffon ball-gowns.

More than any other fashion designer, the late Christian Dior made houndstooth his own. Grand ladies in exquisitely tailored houndstooth check may have had husbands who bought them their rarefied Dior clothing, but it is only too clear who was wearing the trousers. Dior liked houndstooth so much that the bottle of his first-ever – and still very popular – fragrance, Miss Dior, was embossed with it. It's one of the original chypres, incidentally; largely perceived as quite difficult scents and certainly not recommended for shrinking violets.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in