CINEMA / Critic's Choice

Sheila Johnston
Monday 16 May 1994 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Puppetmaster

Puppeteer Li Tianlu narrates his own life story in Hou Xiaoxian's intimate epic, which uses the folk artist's vexed life as an oblique way into decades of Taiwanese history. Hou's style is formal and his narrative method elliptical. Westerners may need a crib sheet to keep track; though, while it can be oppressive, it's also impressive. ICA SW1

Schindler's List

Spielberg's first grown-up film - and this sombre, black-and-white, three-hour epic about the Holocaust, and one man who made a tiny difference, is moving, exhilirating and thoroughly absorbing. As Schindler, the German war profiteer who discovered his better nature, Liam Neeson is filmed with all the glamour of a real, old-fashioned Hollywood star. Empire WC2, MGM Baker St NW1, MGM Fulham Rd SW10, MGM Trocadero WC2, Plaza W1, UCI Whiteleys W2, locals

La Scorta

Ricky Tognazzi's better than competent thriller about a team of young cops called in to protect a Sicilian judge was a huge box-office hit in Italy, where it struck major chords. The action relies more on implicit threat and Ennio Morricone's pulsing score than shoot-outs, and though there may be a shade too much male bonding for northern European tastes, it feels suitably without illusion and looks suitably grimy. Metro W1, locals

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in