Choice: Opera
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Falstaff, The Coliseum, London WC2 (0171-632 8300) 7.30pm
You want to know the difference between London's opera houses? Covent Garden relies on star names, but ENO makes them. Take Alan Opie. If you have been to anything at the Coliseum in the last 25 years, chances are you'll have seen him, as he has spent 23 of those years as a company principal. Opie is noted for his acting skills as much as his powerful singing. His Germont was far and away the best thing in La Traviata a few years back, so moving you ended up taking his side over the lovers. Now he joins this loudly-praised Matthew Warchus production which does full, colourful justice to Verdi and Shakespeare's comic genius. The sets are beautiful, Amanda Holden's smartly delivered English translation positively bounces, and Oliver von Dohnnyi conducts with real vigour. There are seats from pounds 2.50. You can barely rent a video for that.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments