Choice: Film
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Oklahoma!, NFT, London SE1 (0171-928 3232) 6pm
Always, the notoriously bad flop musical about Edward and Mrs Simpson actually boasted "The Abdication Dream Ballet". Sadly, it was cut before opening night. Dream ballets made it big in musicals thanks to the now legendary Agnes de Mille. She'd choreographed Aaron Copland's Rodeo which made her ideal for Rodgers and Hammerstein's boys-in-cowboy-boots-meets girls musical despite the fact that she'd been fired from previous Broadway outings. Her dances, notably Laurey's Dream Ballet, is not an excuse to divert the audience with a number, it actually contains and dramatises a major hinge in the plot. No-one on Broadway had ever dared to use ballet to further the action before. Twelve years later, de Mille choreographed Fred Zinneman's movie version (shot in super- saturated Eastmancolour) which may not have the acting of anyone's dreams (farmhand Jud is flagrantly not Rod Steiger's finest hour) but oh, those songs.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments