Arthur Schopenhauer: Stunningly and famously pessimistic

It is hard to know whether the pessimism is the result of his philosophical discoveries or, rather, his philosophy is shaped by his pessimism

Tuesday 19 October 2021 21:30 BST
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Arthur Schopenhauer (1788-1860)
Arthur Schopenhauer (1788-1860) (Getty)

Although outside the realm of academic philosophy, Arthur Schopenhauer (1788–1860) was nevertheless one of the most important philosophers of the 19th century, best known for his eastern influence and his philosophical pessimism.

Schopenhauer’s philosophy is stunningly and famously pessimistic. His work is certainly not the right sort of thing to read on a beach. It is hard to know whether the pessimism is the result of his philosophical discoveries or, rather, his philosophy is shaped by his pessimism. It might be that both simply follow from his own generally bleak temperament. His mother, Johanna, reports that from an early age her son “brooded on the misery of things”. Nevertheless, the broodings resulted in one of the nineteenth century’s philosophical masterpieces: The World as Will and Representation.

Schopenhauer was born in Danzig. His father, Heinrich, was a prosperous merchant, whose politics led him to move the family, at considerable cost, to Hamburg when Danzig was appropriated by Prussia in 1793. His parents encouraged his facility with languages – he was eventually fluent in six – and sent him to study in Paris and England. Although he would have preferred an academic life, he took a job as a clerk in Hamburg to satisfy his father. His father’s suicide left Schopenhauer with no incentive to stay in business and a reasonable income, so he turned to an academic life. Taking a place at the University of Goettingen, Schopenhauer initially studied medicine but switched to philosophy. At the suggestion of his tutors he focused on Plato and Kant. These two philosophers, combined with the unlikely influence of Hinduism and Buddhism, had an enduring effect on his thinking. He submitted his dissertation to the University of Jena, earned a doctorate, and returned to his mother’s home in Weimar.

His mother had an interest in culture, particularly literature, and published several novels. She also operated a literary salon and, quite possibly, had romantic liaisons with several representatives of Weimar’s intelligentsia. This probably disturbed Schopenhauer. No doubt Schopenhauer’s diatribes on the futility of existence, which led many guests of the salon to make excuses and leave a little early, disturbed his mother too. They fell out regularly, dramatically, and eventually comprehensively. Johanna demanded that he leave and he departed for Dresden in 1814. Though his mother lived for another 24 years, they never spoke again.

Whether or not Schopenhauer would be willing to admit it, the episode skewed his thinking and probably had large effects on his personal life. You can hear the resentment when the otherwise clear-thinking Schopenhauer says that women are: “…an undersized, narrow-shouldered, broad-hipped and short-legged race … they have no proper knowledge of anything; and they have no genius.”

It almost goes without saying that despite a few romantic connections, Schopenhauer never married. He was the archetypal bachelor-philosopher, living and studying alone in Berlin and finally Frankfurt, with only his pet poodle for company. He died, seated at his breakfast table, in 1860.

The world as will

The World as Will and Representation was published in 1818 and attracted virtually no interest. He attempted to drum up support by lecturing in Berlin, deliberately and disastrously timetabling his lectures to conflict with those of Hegel, whom he perhaps predictably regarded as a, “commonplace, inane, loathsome, repulsive and ignorant charlatan”. His lecture hall remained empty and he never repeated the experiment. He did, however, believe in the intrinsic value of his work – he believed it solved all philosophical problems worth the name – and had a second, expanded edition published. It was not until late in his life that the book and other writings finally earned him the fame he was after.

If the will is the real inner nature of my body, and my body is lodged seamlessly into the rest of the phenomenal world, then the rest of the world’s real inner nature must also be will

The book, says Schopenhauer, imparts a single thought, though he admits he is incapable of saying it in anything less than a large volume. Let us be a little reckless and characterise this thought in a single sentence: the world as it is in itself is will. To get this single thought into clearer view, we’ll need to wave briefly at Kant, to whom Schopenhauer owes a large debt.

Kant argues that the world we perceive is constituted by the mind. Objects appear to us in space and time, given the structuring activities of sensibility. Thanks to the understanding, we perceive a world of objects not just in space and time but standing in causal relations with one another as well. Schopenhauer follows Kant in all of this – although he ingeniously reduces Kant’s complex structure of categories to a single principle. Crucially, he adopts the Kantian distinction between the phenomenal world we experience (the world as representation) and the noumenal world of things-in-themselves, reality as it is apart from our experience (for Schopenhauer, the world as will). However, he rejects Kant’s claim that the noumenal world is forever beyond our ken. Schopenhauer claims nothing less than knowledge of the world as it is in itself.

Schopenhauer in his early thirties by Ludwig S Ruhl
Schopenhauer in his early thirties by Ludwig S Ruhl (Getty)

Our sensory experience of the world is not our only access to the world, or at least not our only access to a part of the world. Schopenhauer argues that “a way from within stands open to us to [the] real inner nature of things”. We have perceptual experience of ourselves as bodies located in a world of objects in space and time but we also have direct experience of ourselves as will – experience which does not conform to the usual activities of the mind which constitute the phenomenal world. I know my hand just reached for the coffee cup because I saw it but I would have known anyway, because I willed it. When I looked at my hand, I viewed it as an object in the phenomenal world but my other knowledge of it depended on nothing phenomenal. It is important to recognise that, for Schopenhauer, the willing and the bodily moving are not two different things: my body is objectified will, will as it appears or is represented in the phenomenal world.

Resolutely shunning solipsism, here the view that there is just one mind and everything else is a mere appearance, Schopenhauer argues that the whole world is a manifestation of will too. Once a person has realised that their own inner nature is will, he or she will, “recognise that same will not only in those phenomena that are quite similar to his own, in men and animals, as their innermost nature, but continued reflection will lead him to recognise the force that shoots and vegetates in the plant, indeed the force by which the crystal is formed, the force that turns the magnet… all these he will recognise as different only in the phenomenon, but the same according to their inner nature”.

The statue of Arthur Schopenhauer in Frankfurt
The statue of Arthur Schopenhauer in Frankfurt (Getty/iStock)

If you want to do better than agree with Schopenhauer on anti-solipsistic grounds, you can think along the following lines. If the will is the real inner nature of my body and my body is lodged seamlessly into the rest of the phenomenal world, then the rest of the world’s real inner nature must also be will. For Schopenhauer, the phenomenal world is the appearance of will and the noumenal world is nothing but a world of will. Our own inner experience of willing, then, is Schopenhauer’s key to understanding the Kantian thing-in-itself, the world as it is apart from our experience.

The philosophy of pessimism

Considered in the abstract, the will is a kind of will-to-live or will-to-exist but it manifests itself particularly as a constant throbbing of desire, striving and yearning, with no particular goal or object. It is merely undirected, blind, irrational want, which drives everything – better, which is everything. It is the blindness and irrationality of the will which leads to Schopenhauer’s famous pessimism. A human life is actuated by nothing but a constant craving, occasionally fleetingly satisfied but more often than not thwarted. When the will actually manages to satisfy itself, “life-benumbing boredom” quickly sets in and the striving is reawakened. The will does nothing but vainly keep itself willing, until death. Life is something which ought not to be and this is the very worst of all possible worlds. The uselessness of life emerges rather readily on Schopenhauer’s view of the inner nature of things, “existence… is a constant hurrying of the present into the dead past, a constant dying… it is clear that, as our walking is admittedly merely a constantly prevented falling, the life of our body is only a constantly prevented dying, an ever postponed death: finally, in the same way, the activity of our mind is a constantly deferred ennui. Every breath we draw wards off the death that is constantly intruding upon us”.

Schopenhauer at age 21
Schopenhauer at age 21 (Getty)

You would consider throwing him out of the salon, too.

All is not entirely lost. Schopenhauer argues that there is a sense in which the will, if not tamed or fully sated, can be distracted from its cravings through aesthetic contemplation. If not exactly a kind of transcendence, there is a marked difference between our reactions to seeing a bowl of fruit and admiring a well-executed still life depicting a bowl of fruit. In the first case, the will might well become aroused, perhaps wanting to consume the fruit, but in the second no such involvement is possible. Instead, one is led to something akin to reflection on Plato’s Forms, something approaching disinterested will-less contemplation, reflection for its own sake.

 However, this sort of escape is only fleeting – one cannot stare at paintings forever. Our best hope for a lasting, though imperfect, release from the tyranny of the will is the saintly renunciation of life. It is possible, though a rarity, to become fully cognisant of the genuine nature of things. One can grasp the essential futility of all life, see life for what it is: the blind cravings of a single, unified Cosmic Will. The ascetic reaction, the renunciation of all gratification, the turning away from life, is the only genuine way one might deny the will and thereby diminish it, perhaps nearly extinguish it. The Buddhists have got it right or nearly right, according to Schopenhauer. The ultimate state is nothing like a heaven of pure satisfaction and eternal happiness but the nothingness of nirvana. For Schopenhauer, then, the closest to happiness we can come consists in the extinction of the self.

Major works

On the Fourfold Root of the Principle of Sufficient Reason (1813)

Originally Schopenhauer’s PhD dissertation. It is a critique of the assumption that the universe is explicable or amenable to rational reflection.

The World as Will and Representation (1819)

Schopenhauer’s masterpiece. He takes it that the underlying nature of the empirical world consists in blind willing. If one looks deeply enough into oneself, one discovers not only one’s true inner nature, but the essence of everything.

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