OBITUARY: Lawrence Josset

Wednesday 14 June 1995 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Anthony Dyson was right to emphasise Lawrence Josset's mastery of the technique of mezzotint [obituary, 27 May], writes Ian Lowe.

One of Josset's finest achievements was the mezzotint which he made after Meredith Frampton's portrait of Sir Edwin Lutyens as Master of the Art Workers' Guild, painted in 1933. (The occasion must have given the subject a certain satisfaction as he wrote, in 1903, "In train to Holy Island", that E.J.May "wants to take me to the Art Workers' Guild to introduce me. That too is flattering. I haven't been there for 10 or 11 years, and then no one knew me and those few that did patronised or snubbed me.") What Mr Dyson describes as "an art of translation from the medium of paint to that of print" was brilliantly achieved in the mezzotint of Lutyens.

Josset caught the twinkle in Lutyens' eye well described by E.V. Lucas, as Mary Lutyens recalled in her 1980 life of her father: "His eyes grow merrier, his spectacles ever rounder, his head loses a hair here and there. . . "

Lawrence Josset was elected an associate member of the Royal Society of Painter-Etchers in 1936, at the age of 25, and a full member in 1951.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in