Close-up: Dee Anderson

The model for the Thunderbirds' Lady Penelope has a new career, as a jazz-singing philanthropist

Rhiannon Harries
Sunday 17 February 2008 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The music industry may be dominated by teenage popstrels, but Dee Anderson knows there is no substitute for experience. With the second single from her successful debut album The White Rose out this month, the jazz singer – who laughingly admits only to being "fortysomething" – isn't worried by her relatively late arrival on the scene.

"I have moments when I think I should have done this 20 years ago, but now I'm able to put things across that I wouldn't have then – it all adds depth," she says.

If Anderson's almond-shaped eyes and blonde locks look familiar, she has her parents, Thunderbirds creators Gerry and Sylvia Anderson, to thank: they used her as the model for Britain's favourite marionette aristocrat, Lady Penelope.

Raised largely by her grandparents, Anderson attributes her tenacity to her prize-fighter grandfather: "He taught me how to survive in a man's world. When people hear who my parents are, they presume I'm loaded, but I'm self-made."

Indeed, Anderson single-handedly built a property development portfolio, the profits from which allowed her to fund last year's record and set up the charity Music Across the World, which redistributes unwanted instruments to disadvantaged young people.

The response to her album has been so good that it is now paying for itself and Anderson has already begun work on a second. "I've enjoyed everything I've done but music has always been my passion," she says. "You might not know what you want to do until you're 90, but people waste so much of their lives doing things they hate that when you do know, you have to take a risk."

For more information: www.deeanderson.co.uk; www.musicacrosstheworld.com

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in