Julian May on folk

Julian May
Thursday 15 August 1996 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Queen Elizabeth Hall is more a lecture theatre than a dance venue. Even the most effervescent performers have difficulty stirring the frigid gloom of the place - last time Salif Keita sang there, he actually knelt at the front of the stage appealing to his audience to get up and move. This adds to the allure of the big gig on Sunday of this year's excellent South Bank Folk Festival, the only appearance in England of La Bottine Souriante, who have been blasting their traditional Quebecois cajun celtic salsa jazz around the world for 20 years. The cover of their new CD, La Mistrine, makes their intention clear: in Bruegal's Peasant Wedding, cunningly dotted among the dancers strutting, codpieces akimbo, is the band. Here a shaven-headed accordionist in shades, a fiddler, double bass, mandolin, there a singer in pork-pie hat and matching paunch, and, jamming alongside Bruegal's piper, a sax player and a trombonist, half of their horn section. Le Bottine Souriante look quite at home.

Singer Yves Lambert started La Bottine (which means "Smiling Boots") in 1976 as a four-piece, playing old-time music "mostly at pig fairs and potato festivals". But, after the referendum in 1980, when they voted against secession, the Quebecois turned away from traditional music, so the band travelled elsewhere, absorbing other influences and musicians from different idioms. In 1990 the brass section - including a bass trombone - brought their number to nine.

La Bottine Souriante are a serious good time band - and they can really play. Stewards at the QEH beware, they won't have to get on their knees to get the audience on its feet.

La Bottine Souriante are at The Queen Elizabeth Hall, London SE1 (0171- 960 4242) Sun at 7.45pm as part of the South Bank Folk Festival (to 23 Aug), which also features The Poozies, Martin Carthy and Dave Swarbrick, Norma Waterston and Eliza Carthy

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in