Atomic: Living in Dread and Promise, TV review: Gut-punching cine-essay to round off the 70th anniversary of Hiroshima

Mark Cousins used music by Mogwai to soundtrack footage of a pre-bomb Japan, Greenham Common protests and early experiments in X-ray

Ellen E. Jones
Sunday 09 August 2015 16:51 BST
Comments
The bomb was dropped on Hiroshima at 8:15am on 6th August 1945
The bomb was dropped on Hiroshima at 8:15am on 6th August 1945 (AP)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

More terrifying even than the Touker Suleyman style of negotiation was Atomic: Living in Dread and Promise, Mark Cousins’s gut-punching cine-essay, aired to round off the 70th anniversary week of the atomic bombing of Hiroshima.

TV viewers may know Cousins best as the Belfast-born film critic who once conducted unhurried interviews with the likes of David Lynch and Martin Scorsese on the BBC’s Scene by Scene series. Since The First Movie in 2009 and A Story of Children and Film in 2013, he has also been the film-maker behind visual poems which are both detached enough to reflect on the nature of the medium and immediate enough to elicit strong emotions in an audience.

Just as the word “documentary” fails adequately to describe Adam Curtis’s idiosyncratic work, it doesn’t quite do justice to this impressionistic collage of archive clips, either. Cousins had done away with the voiceover narration, instead using music by post-rockers Mogwai to soundtrack footage of a pre-bomb Japan, Greenham Common protests and early experiments in X-ray. The whole is so much more impactful than yet another academic with a book to flog, droning on about Nato.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in