Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Former head of BBC comedy criticises broadcaster for overinvesting in drama

Jon Plowman, executive producer on 'The Office', lambasts lack of money being put into new comedy

Jack Shepherd
Tuesday 18 September 2018 00:04 BST
Comments
Jon Plowman helped to bring ‘The Office’ (pictured), ‘Absolutely Fabulous’, ‘W1A’ and ‘French and Saunders’ to the screen
Jon Plowman helped to bring ‘The Office’ (pictured), ‘Absolutely Fabulous’, ‘W1A’ and ‘French and Saunders’ to the screen (BBC)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The former head of the BBC’s comedy division has criticised the broadcaster for not investing more in new comedy programmes.

Jon Plowman – who helped bring The Office, Absolutely Fabulous, W1A and French and Saunders to Britain’s TV screens – said that comedies are no longer a priority as money is being syphoned off to primetime dramas.

“When viewers sit down for an evening’s telly, we must remember they might have had a hard day and just want to laugh,” he wrote in a piece for Radio Times. “Make some comedy, because if you don’t the art will be lost.”

Plowman continued: “The fact is that British comedy is no longer a priority for those who run the main channels. This is a pity because if we ever needed a laugh, it’s now.”

He went on to warn that a generation of comic writers could be lost as the focus changes towards immediate high ratings – something that has been achieved by the BBC’s latest drama, Bodyguard.

“Controllers find it easier to say no to comedy because it’s risky, and yes to another procedural drama,” he said.

“An hour of drama costs around £1m, whereas half an hour of comedy doesn’t get half that – it gets barely £300,000 or so if it’s lucky. It doesn’t make sense. Why is laughter considered so much cheaper than tears?”

Plowman also relayed how dramas are much easier to sell to foreign markets, unlike comedies. A recent example would be Killing Eve, which began in the UK on Saturday night but was first broadcast in the US, despite being a BBC production.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in