THEATRE / Rockers on a low-fat diet: Paul Taylor on steering-wheels and inappropriate muscle in Grease at the Dominion Theatre

Paul Taylor
Sunday 18 July 1993 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

THE BEST moment at the opening night of Grease was a sheer fluke. It came during the drive-in movie scene. An overstimulated Danny (Craig McLachlan) was just starting to get fresh with the virginal Sandy (Debbie Gibson) when his steering-wheel snapped off in his hand. Thank God it wasn't his gear-stick, or it would have been curtains for that romance. Suddenly confronted by an accidental image of less than complete manhood, Gibson to her undying credit, could not keep a straight face and the show ground to a brief halt.

. David Gilmore's production tries to be so all-American it hurts. The neon sign at the entertainment-facility reads 'Starlite Drive-In Theatre' - you say 'theater'; we say 'theatre'. Still, given Fifties American high school education ,the sign is doubtless an accurate reflection of the general level of spelling in the Land of Freedom.

Grease has a history of being let down by Australians. In the endearingly dreadful movie it was Olivia Newton-John as Sandy. This time the Aussie liability is Craig (ex-Neighbours) McLachlan. . His singing and dancing are efficient enough, but he makes the groin leg-waggles, or the falsetto decorations in the Fifties-style songs come across as mechanical rather than youthful You could be witnessing a round of dressage.

The entertaining Debbie Gibson is a different matter. When she smiles, there is something about her face that reminds you of Bette Midler. . Not necessarily an asset for the role of Sandy, but at least the ending doesn't defy credibility and the unfairness of the other girls thinking her 'a poor man's Sandra Dee' makes itself felt throughout.

There are some good kitschy bits ('Beauty School Drop- out' is like a dry-ice fantasy), and some effective ensemble moments (like 'We Go Together' give you the lift that is the only point of watching something like this.

On the whole, the production feels synthetic even by the standards of pastiche, and that's whether you judge it as 'theater' or 'theatre'.

'Grease' continues at the Dominion Theatre, Tottenham Court Rd, W1 (071-580 9562)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in