The One, theatre review: Joyless sex turns to power games in savage portrayal of relationship

Soho Theatre, London

Paul Taylor
Tuesday 04 March 2014 17:37 GMT
Comments
The One at Soho Theatre: Lu Corfield as Kerry and Rufus Wright as Harry
The One at Soho Theatre: Lu Corfield as Kerry and Rufus Wright as Harry (Simon Kane)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Vicky Jones's award-winning debut play is a savage, uncomfortably funny dissection of a relationship in which desire has turned to destructiveness.

The opening scene – joyless sex while watching porn and scoffing Wotsits – establishes the boredom that Rufus Wright's Harry, an achingly smug lecturer and his younger partner and former pupil Jo (Phoebe Waller-Bridge) try to counter by competing to see who can be the crueller.

These power-games start off as juvenile and joky but after the late-night arrival of the distressed Kerry (Lu Corfield), an old flame of Harry's who claims to have been “sort of raped” by her boyfriend, they become ugly and physical.

Waller-Bridge is excellent as the snarky Jo, a woman whose intelligence has gone toxic on her and she and Wright powerfully evoke the sort of couple who are simultaneously ideal and a disaster for each other.

A victim of domestic violence might find this privileged pair's vicious role-playing flirtation with the limits of the consensual a mite self-indulgent, but the piece, premiered in Steve Marmion's knowing, incisive production (ironically suffused with “The Music of the Night”) shows daring as it treads its own risky line between apparently callous comedy and compassion.

A highly disconcerting 70 minutes.

To March 30; 020 7478 0100

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in