On the Rocks, Hampstead Theatre, London

You know what happens when good friends go on holiday

Review,Kate Bassett
Sunday 06 July 2008 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Who needs enemies when you've got pals like D H Lawrence? Amy Rosenthal's enjoyable new biodrama On the Rocks is a serio-comic group portrait that homes in on the novelist's maladroit attempt to create a utopian literary community in Cornwall during the First World War. This is when he and his German wife Frieda – having fled not only her homeland but also her children and first husband – moved to the remote village of Zennor and invited their friends, the writer Katherine Mansfield and her editor-husband John Middleton Murry, to rent the cottage next door.

We see Ed Stoppard's indefatigable Lawrence scorning the aggression of the war and the local xenophobic persecution which his spouse is encountering. Simultaneously, his ivory tower of an idyll is being shot to hell because of his bullish egocentricity and vitriolic temper. He commandeers the other couple's kitchen every night and holds forth at supper. Spouting his credo that male friendships are somehow on a higher plane, he is predominantly interested in bonding with Nick Caldecott's nervously pliant, tweedy Murry. Tracy-Ann Oberman's garrulous Frieda is left to distract Charlotte Emmerson's Mansfield from her writing. Not one for social niceties, Lawrence thinks nothing of manhandling his wife between courses.

What's remarkable is that, thanks to Rosenthal's robust sense of humour and Stoppard's charisma, you don't end up loathing Lawrence. Clare Lizzimore's production involves a somewhat lumpen realistic set on which the drama occasionally stagnates.

But the whole cast give fine performances. Emmerson's increasingly exasperated Mansfield is quietly nuanced, struggling, as the playwright did, with writer's block. Meanwhile, the gents' wrestling scene is a delightfully farcical variation on the famous fireside tussle in Women in Love. Stoppard's skinny, pugilistic Lawrence huffs and puffs as Caldecott's pusillanimous Murry leaps into his arms like a baby.

Hampstead Theatre, NW3 (020-7722 9301) to 26 Jul

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in