Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Turmoil at the Royal Opera House as choreographer pulls out of Giuseppe Verdi's Les Vêpres Siciliennes

 

Nick Clark
Friday 07 June 2013 19:47 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

One of the showpiece productions of the forthcoming Royal Opera season is in turmoil after artistic differences saw the Royal Ballet pull out of Les Vêpres Siciliennes just months before opening night.

One of Giuseppe Verdi’s lesser-known operas, it has never been performed at Covent Garden and was due to have a 40-minute ballet sequence during the four-and-a-half hour show, which opens on 17 October.

But after what the Opera House called “artistically differing approaches to the project” between the director Stefan Herheim and choreographer Johan Kobborg, Mr Kobborg has left the production, along with 32 dancers from the Royal Ballet, the Royal Ballet School and the Royal Danish Ballet.

Kasper Holten, the director of opera at Covent Garden, said: “Stefan and Johan couldn’t quite find a language together that would work. It just wasn’t possible to find a way that would satisfy all parties.”

The production, which will be conducted by musical director Antonio Pappano, was one of the most anticipated of the season and marks Mr Herheim’s Opera House debut. “We knew from the beginning this would be an ambitious idea and you don’t know how it will work out until you try it. Sometimes they work and sometimes they don’t but it won’t discourage me from trying again another time,” Mr Holten added.

Andre de Jong, who worked with Mr Herheim on Eugene Onegin in Amsterdam, has been brought in as a replacement choreographer. The ballet sequence will be cut considerably and freelance dancers will perform. A statement released last night stressed there would “still be a strong element of dance in the production”. Mr Holten said: “It’s a disappointment; we’d been looking forward to working together on this. It is unfortunate it has finally come to this at a very late point.”

Mr Holten said the experience had not affected the relationship between the two companies, or with his opposite number Kevin O’Hare, director of the Royal Ballet. “Kevin and I are the best of friends and we both share disappointment but we will look for other projects. It’s not his fault and it’s not mine.

“One of the great pleasures for me starting in London was that Kevin was appointed about the same time. It felt like a wonderful opportunity for us to share views.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in