Picture preview: Anna Pavlova Twentieth Century Ballerina
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.One of the first dancers from the Imperial Russian Ballet to dance in Western Europe, Anna Pavlova has been awarded near-mythical status as the Prima Ballerina who brought ballet into the 21 Century.
Cut off from her native Russia by the First World War, Pavlova made London her permanent home until her death in 1931. This year marks the centenary of her ownership of Ivy House, the grand Hampstead residence which has since become the London Jewish Cultural Centre.
In celebration of Pavlova’s contribution to ballet, a book of sumptuous images of the dancer has been published with accompanying editorial about her life, Anna Pavlova: Twentieth Century Ballerina by Jane Pritchard with Caroline Hamilton.
Click here or on "View Images" for a picture preview
Her progression from young ingénue in Giselle to her signature solo, The Dying Swan, is charted in beautiful images which are taken from publicity material as well as stills from early cinematic recordings of the dancer.
In 1916 the Manchester Guardian wrote: "Next to seeing Pavlova in person, there is no better substitute than seeing her through the mechanism of the kinema". She was a beguiling beauty, as a famous in her day as a modern pop star, and absolutely committed to ballet.
The book includes several portraits of Pavlova wearing her swan costume which, according to her costume-maker Madame Manya "she never wore more than twice without the skirts of the tutu being renewed".
The story goes that on her death bed from pneumonia, Pavlova was told that she required an operation that would save her life but leave her unable to dance.
She refused the surgery, saying: "If I can’t dance then I’d rather be dead", passing away three weeks short of her 50 birthday, clutching her costume from The Dying Swan.
Pavlova was an ardent fundraiser in her lifetime. She organised charity performances to aid victims of Russian famine and opened an orphanage for Russian children at St Cloud, Paris in 1920.
Proceeds from the sale of the book will be donated to the student scholarship and bursary programme at The Royal Ballet School, London.
Anna Pavlova: Twentieth Century Ballerina [Publisher: Booth-Clibborn Editions], £25 ;www.royal-ballet-school.org.uk
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments