Juggling with the subconscious
The French-Canadian Cirque Eloize brings its dream-like version of big-top magic to London
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.These days, it's easy to be blasé about the circus coming to town, with world-class shows such as the Moscow and Chinese State circuses pitching up regularly on our local commons. Nevertheless, the French-Canadian troupe Cirque Eloize is hoping to ignite some good old-fashioned excitement with its latest production, Nomade, which arrives at the Barbican at the end of this month. The last time the Eloize performed there, in 2000, it enjoyed a sell-out run with Excentricus.
The new show is directed by the Swiss-Italian Daniele Finzi Pasca, the founder of Lugano's Teatro Sunil. Speaking in mellifluous French-American tones, he says that Cirque Eloize is a cousin to, but different from, its fellow-Canadian Cirque du Soleil. Cirque Eloize's creators have drawn on the cultural traditions of the natives of the Magdalen Islands, off the province of Quebec, where the troupe was founded just over nine years ago. Since then, they have given more than 1,200 performances in 200 cities around the world.
In true nomadic style, there is no preordained plot. As Finzi Pasca says: "There is no linear direction to it. It is a superimposition of events based on the world of the subconscious. It is the language of dreams." The way he describes it, the show has an epic and universal quality, but also deals with basic human impulses.
"It is a new form that connects circus and theatre," Finzi Pasca continues. "An almost Shakespearean structure is emerging from it - there is a prologue and an epilogue. Each performer is a manifestation of history, a substance of the dream world. It is a feast and a dance of life." So plenty to be going on with, then.
To capture the true atmosphere of this production, Finzi Pasca says, "You have to imagine that you've opened your grandparents' wedding album and are looking at the faded pictures, tarnished and cracking. You know you're holding something fragile and special. It seems to tell you how you have got to this moment in time. It is both close and a long way off. This is the atmosphere we've tried to create."
But traditional circus acts are not neglected: 14 men and women balance on high wires, lunge on teeterboards, juggle crystal balls, tumble and soar through aerial hoops. There's also a unicyclist, a contortionist, and two clowns. In addition, there's a new act involving a man in a rotary hoop invented for Cirque Eloize by its co-founder Daniel Cyr, it involves a performer within a wheel, doing a dazzling array of tricks.
Cirque Eloize's artistes have done seven months of vigorous training to pull together what Finzi Pasca hopes is a show that "unravels the world's secrets and sparks the curiosity of a sleepy child". We'll see.
'Nomade', Barbican Theatre, London, EC1 (020-7638 8891; www.barbican.org.uk). From tomorrow to 23 August
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments